The American Guild of Organists was chartered in 1896 by the Board of Regents, University of the State of New York, to administer a comprehensive series of examinations for professional certification. Examinations have played a central role in the Guild’s work since its founding. Being professionally certified can play a major role in your life and career. Fellowship certification is the highest level of certification offered by the AGO. Candidates must demonstrate proficiency in the following areas:
- Perform organ literature of advanced difficulty.
- Demonstrate comprehensive knowledge of organ repertoire.
- Know and apply authentic performance practice.
- Understand organ tonal design.
- Apply authentic and effective registration.
- Understand the mechanics and maintenance of the organ.
- Accompany with flexibility and musicianship.
- Sight-read open scores including lines in the C clefs.
- Compose and arrange.
- Demonstrate practical knowledge of orchestration.
- Have a broad knowledge of music history and literature.
- Be able to write in contrapuntal forms of both 16th- and 18th-century styles, and analyze examples.
- Transcribe from dictation.
2021 Examination Dates and Fees
June 3 and 4, 2021 (paperwork section both mornings; organ playing one of the afternoons). Both sections, $300; single section, $250; no student rate. Surcharge for non-AGO members of the AGO, $100.
2021 FAGO Repertoire Update
Either of the following may be substituted for an item in List C; please note that either of these will qualify as a slow movement and that only one such movement can be played as part of the repertoire section of the examination:
*Jeanne Demessieux: Consolateur, from Sept Méditations sur le Saint-Esprit, Op. 6 (Durand DF01331200).
*Undine Smith Moore: Variations on “Nettleton” (available in African American Organ Music Anthology, vol. 2, MorningStar Music MN 10-546).
Either of the following may be substituted for an item in List D; these do not qualify as slow movements:
Margaret Sandresky: Toccata: “Veni creator spiritus” (available in Margaret Vardell Sandresky Organ Music, vol. 1 ([ed. Virginia L. Haisten], Wayne Leupold WL600031).
Kola Owolabi: Dance (available for direct download from KolaOwolabi.com).
Educational Resources for Fellowship Certification
Videos Demonstrating Certification Exam Procedures
Professional Certification Requirements 2021
Manual of Procedure for Associate and Fellowship Examinations
100 Strategies for Successful AGO Certification
AGO Bibliography for Examination Preparation
Past Fellowship Exams (there is no 2020 exam)
Fellowship Exam 2019 Solutions for the 2019 exam
Fellowship Exam 2018 Solutions for the 2018 Exam
Fellowship Exam 2017 Solutions for the 2017 Exam
Fellowship Exam 2016 Solutions for the 2016 Exam
Fellowship Exam 2015 Solutions for the 2015 Exam
Past TAO Articles for Exam Preparation
Preparing for AGO Exams (reprints from TAO magazine articles)
AGO Colleague Examination 2013/Improvisation Question/The Modulating Bridge by Philip Gehring, FAGO, Oct. 2013 (revised)
AGO Service Playing Anthem Accompaniment/Thou Wilt Keep Him in Perfect Peace: Approaches to Wesley’s Most Popular Anthem by Jonathan B. Hall, FAGO, ChM, August 2012
”It Don’t Mean A Thing If You Can’t Make ‘Em Sing”/Leading Hymn Singing from the Organ: A Practical Checklist by Kenneth Grinnell, FAGO, ChM, April 2006
Regular Countersubjects in Fugue by Walter Hilse, FAGO, March 2008
Ten Tips on Sight-Reading by Jonathan B. Hall, FAGO, ChM, March 2009
The Fugal Answer by Walter Hilse, FAGO, April 2006
Transposition: Not a Four-Letter Word by Kenneth Grinnell, FAGO, ChM, May 2008
On Modulation by Dean Billmeyer, FAGO, Handout from a 2008 convention workshop
Two Additional Service Playing Test Pieces by Kathleen Thomerson, FAGO, ChM, October 2009
Fellowship Ear Training Exercises
The ear training exercises and the past exams below are offered by the AGO Certification Committee for candidates to use to prepare for Fellowship certification. Click on an example. View the ear training solutions.