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Charleston, SC Chapter |
| Last updated: November 21, 2008 |
Message from the Dean |
Local Events |
| UPCOMING CONCERTS/EVENTS:
ST. LUKE'S CHAPEL CONCERTS, St. Luke's Chapel, corner of Ashley and Bee Streets, on the campus of the Medical University of South Carolina. Co-sponsored by the Charleston Chapter of the American Guild of Organists and the College of Charleston. All concerts are Tuesdays at 12:15 pm for approximately 30 minutes. No food or drink is allowed in the Chapel. Parking available in MUSC lot accessible from President Street. Featuring the Margaret Metcalf Organ built by Gene Bedient & Co. (Nebraska), Opus 44 (1994) 12 stops, 15 ranks over 2 manuals and pedal, mechanical key and stop action. If you are interested in performing on the series, please contact Dr. William Gudger at gudgerw@yahoo.com OTHER CONCERTS: Friday, November 21, noon, Donna Brunsma (Interlochen, Michigan) Organ Recital, Saint Helena’s Episcopal Church, 505 Church Street, Beaufort Sunday, November 23, 4:00 pm First (Scots) Presbyterian Church, Meeting and Tradd Sts. Julia Harlow, harpsichord. A program of harpsichord favorites: Prelude in dm by D'Anglebert, pieces by Jacques Duphly, Three Bulgarian Dances by Timothy Tikker, Chromatic Fantasy and Fugue by J.S. Bach; assisted by Wade Davis, cello in Sonata in em by Vivaldi; and Esther Senft, recorder in Suite in dm by Louis-Antoine Dornel. Free. A.S.A.P. – After School Arts Program seeks Volunteers, Instruments Johns Island Presbyterian Church is starting a powerful new after school program this fall that will provide education in music, dance, visual art, and drama exclusively to low-income families for a very small fee. We are seeking volunteers to help teach, transport students, etc. If you are interested in participating as a volunteer, please contact the Director of Music, Eric Johnson at ejohnson@jipc.org or 843.559.9380. We are also collecting musical instruments to loan to needy students taking private lessons. If you have an instrument that you no longer need, consider donating to our program. It will be a charitable tax donation, and the student who uses your old instrument will be grateful for the gift of music! If you would like to donate, contact the Director of Music. |
Newsletter |
| UPCOMING MEETINGS:
(Note: 2008-09 Directories are available to all members. If you have not received yours, please contact Mark Gilbert at mkgilbert@knology.net) ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ The next issue of The Voluntary Trumpet will be that of October 2008. The deadline is the 20th of the month preceding date of issue; i.e. September 20th for the October issue. Please send information about coming events, employment opportunities and other items of interest to the Editor: hubbard.george@comcast.net, or by surface mail to George Hubbard, 1087 Barbados Way, Charleston, SC 29412. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ADVERTISING in the chapter newsletter, The Voluntary Trumpet, is available at the rates below. Material is to be submitted via email, camera ready, to the newsletter editor by the 20th of the month. Rates are as follows: 1/8 page (the size of a business card): $20 1/4 page: $40 1/2 page: $80 AGO members receive a 25% discount on the above amounts. |
Membership |
| For membership forms or information, contact treasurer Mark Gilbert - mkgilbert@knology.net Forms can be emailed as a PDF or in MSWord
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ PROFESSIONAL CONCERNS CORNER by Porter Remington What is a Professional Concern? Anything you have a thought or feeling about will lead you to an answer, or maybe a question! Money - Salary - Budgets - Relationships - How to work with a committee - How to motivate people - How to ask for what you need - How to take care of yourself. What else can you think of? If we do not address these issues, then we are not educating our congregations about music as a profession. Anyone who plays a funeral for free is hurting our profession. Anyone who does not charge an appropriate wedding fee is hurting our profession. Meanwhile the funeral directors, florists, caterers, piano tuners and photographers — are all raising their fees. We are being left behind. Do not ever be afraid to approach your clergy/music committee/personnel committee with the idea of making fees appropriate for 2007. It is YOUR responsibility! Porter Remington bachfan21@juno.com |
Placement |
| POSITIONS AVAILABLE
AND SUBSTITUTE ORGANISTS (SCROLL DOWN) Position posting date in parentheses. If you hear of other positions available, please contact the webmaster. WALTERBORO: (Position again available) Position(s) available- Choir Director and Organist. One or two persons. Contact person bpparker@yahoo.com, Brooke Parker Telephone- 843-549-1391 or 843- 909-2009 Bethel Presbyterian Church, 403 Church Street, Walterboro, SC 29488. Small traditional church with a well established music program seeking a part-time Music Director and Organist. Seeking a talented individual with a heartfelt commitment to the church. Candidate will work with the pastor in preparing for worship services and overseeing all aspects of the music program. Superior organ/piano skills, creative hymn playing and a nice personality are a definite plus. Moller pipe organ, 1975. (4/18/06, renewed 10/16/06, revised 03/09/07) SINGERS: Some voice majors at the College of Charleston are looking for employment in area church choirs. For more information, please contact C of C voice faculty Deanna McBroom mcbroomd@cofc.edu or Robert Taylor taylorr@cofc.edu SUBSTITUTE ORGANISTS: Please note: The persons listed below are members of the Charleston Chapter of the AGO, but their listing on this website does not constitute an endorsement by the Chapter. It is strongly recommended that individuals/churches hiring substitutes verify for themselves that the substitute is capable of performing the duties required. Areas of proficiency: O= organist; P= pianist; C= adult choir director; Y= youth choir director; CC= childrens choir director; H= handbell director; S= singer; A= accompanist To be added, removed, or amend your listing, please contact the webmaster, Julia Harlow at juliah.6@juno.com Michael Ging will be in town and available to play December 23-January 4. Email him at mging@oberlin.edu Byrd, Leigh Ann: BS Choral Music Education, MDBL, work: 843-856-3222; cell: 843-412-5055; O, P, C, Y, CC, H, S, A email: choralbelle@comcast.net Collins, Kathy, MSIS, BA Music: H-571-6240; O, P, C, Y, CC, S, A Email: kathy.collins@yahoo.com Haskell, Loretta: Office: (843) 723-8183; Cell: (843) 557-7208 O, P, C, Y, CC, S Email: LorettaHaskell@moremusicplease.com Jeter, Susanne: H-766-8193; Cell: 607-9449; O, P, CC, H Email: Jeterhob@aol.com Kohlenberg, Lee (as of August 17): 852-5247; O, P, C, S, A Email: leekohlenberg@bellsouth.net Lancaster, James L. Home Phone: 793-3178 Cell Phone: 530-1213 Miller, James M. (Jimmy): H-852-9485; Work: 843-554-9880 ext 8135; Cell: 843-532-9485; O, C (from console) Email: jmmiller@bellsouth.net Pierce, Rev. James (ret.): H-797-8104; Cell: 513-8535; O Email: jimpierce2006@belsouth.net Employers and job seekers are invited to post and search listings of available positions on the Guild's National Website. |
Certification |
| LEADERSHIP PROGRAM FOR MUSICIANS
LPM (Leadership Program for Musicians Serving Small Congregations) is an outstanding 2 year program for enrichment and education of musical, pastoral, and leadership skills of church musicians taught by experienced church musicians and clergy. The Coordinator for SC is Kip Coerper kipcoerper@yahoo.com The national website is: www.lpm-online.org PIPE ORGAN ENCOUNTERS: EDUCATION & FELLOWSHIP The American Guild of Organists is proud to announce a PIPE ORGAN ENCOUNTER in our Region in 2008: July 13-18 Charlotte, North Carolina. Complete contact information can be found in The American Organist Magazine and online at www.agohq.org. |
Contact Us |
| The Executive Committee, as of July 1, 2008:
Dean - George Hubbard - hubbard.george@comcast.net Sub-Dean - Loretta Haskell - lorettahaskell@moremusicplease.com Secretary - Eric Holderman - jsbach10677@yahoo.com Treasurer - Mark Gilbert - mkgilbert@knology.net Members-at-Large: Ann Hood - ann@holycross.net Doug Ludlum - ludlum9834@aol.com Bob Gant - rapscalln@aol.com JeeYoon Choi - cjy520@yahoo.com Newsletter (The Voluntary Trumpet) Editor: George Hubbard - hubbard.george@comcast.net Website Manager: Julia Harlow - juliah.6@juno.com Deadline for the Voluntary Trumpet is the 20th of the month. |
Links |
| Region IV Convention:
Please note: The Region IV convention, which normally would be held in the summer, 2009, will instead be a 2010 MidWinter Conclave, sponspored by the Sarasota/Manatee Chapter; January 17-20, 2010 in Sarasota, FL Co-coordinators Roy Roberts and Jack Levick Psalms and Palms P.O. Box 575 Ellenton, FL 34222 Phone: 727-541-4447 Fax: 727-541-2073 www.psalmsandpalms.org roberts_r@earthlink.net jacklevick@comcast.net UPCOMING AGO NATIONAL CONVENTIONS: 2010 - Washington, DC 2012 - Nashville, TN ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ CHARLESTON, SC ORGAN STOPLISTS All churches downtown, in alphabetical order BETHEL UNITED METHODIST CHURCH Schlueter and Sons, (Lithonia, GA), 2004 3 manuals, 44 stops, 51 ranks GREAT 16 Double Open Diapason..........12 pipes 8 Open Diapason..........61 pipes 8 Principal..........61 pipes 8 Violone..........49 pipes 8 Bourdon..........61 pipes 8 Harmonic Flute..........44 pipes 4 Octave..........61 pipes 4 Spire Flute..........61 pipes 2 2/3 Twelfth (prepared) 2 Fifteenth..........61 pipes V Cornet (prepared) IV-V Mixture 1 1/3 ..........281 pipes 8 Clarinet..........Ch/Solo 16 Trombone..........Ch/So-NC 8 Tromba Heroique..........Ch/So-NC 4 Tromba..........Ch/So-NC 8 English Tuba ..........Ch/So-NC Chimes..........Ch/So-(on tablet rail) Great to Great 4 Tremolo SWELL 16 Lieblich Flute..........12 pipes 8 Chimney Flute..........61 pipes 8 Geigen Principal..........61 pipes 8 Viole de Gamba..........61 pipes 8 Viole Celeste TC..........49 pipes 8 Flauto Dolce..........61 pipes 8 Flauto Dolce Celeste TC..........49 pipes 4 Geigen Octave..........12 pipes 4 Koppel Flute..........61 pipes 2 2/3 Nazard..........61 pipes 2 Flageolet..........61 pipes 1 3/5 Tierce..........61 pipes IV-VI Mixture 2 ..........300 pipes 16 Contra Oboe..........12 pipes 8 Trumpet..........61 pipes 8 Oboe..........61 pipes 8 Vox Humana..........61 pipes 4 Clarion..........12 pipes Swell to Swell 16 , 4 Swell Unison Off Tremolo CHOIR/SOLO 16 Gemshorn, ..........61 pipes 8 English Diapason..........61 pipes 8 Hohl Flute..........61 pipes 8 Gamba..........61 pipes 8 Gamba Celeste TC..........49 pipes 8 Gemshorn..........61 pipes 8 Gemshorn Celeste TC..........49 pipes 4 Principal..........61 pipes 4 Traverse Flute..........61 pipes 2 Piccolo..........61 pipes 1 1/3 Quint..........61 pipes III Choral Mixture 2 ..........183 pipes 8 Clarinet..........61 pipes 8 French Horn..........61 pipes 8 Tromba Heroique..........61 pipes 16 English Tuba..........49 pipes Notes NC 8 English Tuba NC..........61 pipes 4 English Tuba..........49 Notes NC Choir/Solo to Choir/Solo 16 Choir/Solo Unison Off Choir/Solo to Choir/Solo 4 Harp..........61 Notes (digital) (tablet rail) Zimbelstern..........9 Bells (on tablet rail) Tremolo PEDAL 32 Untersatz..........32 Notes 16 Principal.......... 12 pipes 16 Double Open Diapason..........Gt 16 Gemshorn..........Choir/Solo 16 Bourdon..........12 pipes 16 Lieblich Flute..........Swell 8 Octave.......... 32 pipes 8 Open Diapason-..........Great 8 Gemshorn..........Choir/Solo 8 Bourdon.......... 32 pipes 8 Chimney Flute..........Swell 4 Choral Bass..........32 Notes 4 Cantus Flute..........Great III Mixture 2 2/3 ..........96 Notes 32 Contra Trombone..........32 Notes (digital) 32 Harmonics..........32 Notes 16 Trombone..........12 pipes (ch/solo) 16 Contra Oboe..........Swell 8 English Tuba..........Choir/Solo 8 Tromba..........Choir/Solo 8 Oboe..........Swell 4 Clairon..........Choir/Solo Chimes..........32 Notes (digital) (on tablet rail) INTER-MANUAL COUPLERS Great to Pedal 8 /4 Swell to Pedal 8 /4 Choir/Solo to Pedal 8 /4 Swell to Great 16 /8 /4 Choir/Solo to Great 16 /8 /4 Great to Choir/Solo 8 Swell to Choir/Solo 16 /8 /4 MIDI on Choir/Solo MIDI on Great/Swell/Pedal COMBINATION PISTONS 128 Level Memory (minimum) for the entire combination system 5 Thumb Pistons per division 10 General Pistons affecting entire organ 6-10 General Pistons duplicated by toe studs ACCESSORIES Balanced Swell Expression Pedal Balanced Choir/Solo Expression Pedal Crescendo Pedal Gt/Ped Reversible - Thumb and Toe Sw/Ped Reversible - Thumb and Toe Ch/S to Pedal Reversible - Thumb and Toe 32 Untersatz Rev. - Thumb or Toe 32 Contra Trombone Rev. - Thumb or Toe Reeds Off Mixtures Off Great/Choir Transfer Sfz Reversible - Thumb and Toe File Data Sequencer NC = non-coupling ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ CATHEDRAL CHURCH OF ST. LUKE AND S. PAUL (EPISCOPAL) Gabriel Kney & Co., London, Ontario, Canada, 1976 2 manuals, 27 stops, 36 ranks GREAT Principal 8' Rohrfloete 8' Octave 4' Spitzfloete 4' Nasat 2 2/3' Blockfloete 2' Terz 1 3/5' Mixture V (2') Trumpet 16' Trumpet 8' Swell to Great Tremulant SWELL (ENCLOSED) Gedeckt 8' Gamba 8' Celeste (tenor C) 8' Principal 4' Flute 4' Octave 2' Quinte 1 1/3' Scharff III (1') Dulcian 16' Schalmei 8' Tremulant PEDAL Subbass 16' Principal 8' Gedeckt 8' Choralbass 4' Mixture IV (2 2/3') Posaune 16' Trumpet 8' Great to Pedal Swell to Pedal mechanical key action; electric stop action manual compass: 56 keys; pedal compass: 32 keys Toe studs: Great to Pedal reversible; adjustable tutti piston; 8 general pistons (8 levels of memory, solid state). Thumb pistons: setter, general cancel. Balanced swell pedal. Zimbelstern (5 bells). AGO-style pedalboard. Casework by Theodore Charles Bates, Ludgate Hill, London, England, circa 1853 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ CATHEDRAL OF ST. JOHN THE BAPTIST (CATHOLIC) Bedient organ, Opus 22 2 manuals, 26 stops, 31 ranks Christ Church Cathedral, Louisville, KY 1986 Moved to Charleston, SC 1994 GRAND ORGUE Bourdon 16' Montre 8' Flute Harmonique 8' Bourdon 8' Salicional 8' Prestant 4' Octave* 4' Doublette* 2' Plein Jeu* III - VI Basson* 16' Trompette* 8' Clairon* 4' RECIT Flute Harmonique 8' Viole de Gambe 8' Voix celeste 8' Octaviante 4' Octavin* 2' Cornet II* Trumpette* 8' Hautbois 8' Voix Humaine* 8' PEDALE Contrebasse+ 32' Contrebass 16' Soubasse 16' Basse Flute 8' Bombarde* 16' Trompette* 8' Console Control Pedals (Left to Right) Orage G-O./Ped Recit/Ped G-O Octaves Graves Anches Ped Anches G.-O. Anches Recit Recit/G.-O. Tremblant Recit Expressif Mechanical key and stop action (Gt & Coupler on Barker machine) *ventil control + added 1994 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ FIRST (SCOTS) PRESBYTERIAN CHURCH ONTKO AND YOUNG, 1992 4 manuals, 47 registers, 71 ranks GREAT (Manual I) Principal 16........(zinc & 50% tin, Haskell bass, reconditioned) Montre 8.......... (zinc & 50% tin, façade) [1992] Principal 8........ (extension of Principal 16) Flute a Pointe 8....(25% tin) [1992] Prestant 4..........(50% tin, façade) [1992] Flageolet 2........ (50% tin) [1992] Fourniture IV-V rks...... (50% tin) [1992] Cymbale III rks........(50% tin) [1992] Dessus de Cornet V rks Mid C .... (25% tin, mounted) [1992] Trompette 8...... (zinc & 50% tin, harmonic) [1992] Clairon II 4...... (50% tin, harmonic, double flue trebles 4’+2’) [1992] Tremulant POSITIF (Manual II) Gemshorn 8...... (zinc & 50% tin, reconditioned) Bourdon 8........ (zinc & 25% tin, reconditioned) Prestant 4........ (50% tin, façade) [1992] Flute a Fuseau 4.. (25% tin, tapered canisters, reconditioned) Doublette 2........(50% tin) [1992] Tierce-Sept II rks TC......(25% tin) [1992] Fourniture IV rks......(50% tin) [1992] Cromorne 8........(50% tin) [1992] Tremulant Zimblestern........(7 bells) SWELL ONE (Manual III) Flute a cheminee 8....(zinc & 25% tin, chimneys, reconditioned) Viole de Gambe 8.... (zinc & 65% tin, reconditioned) Voix Celeste 8........ (zinc & 65% tin, reconditioned) Flute conique 4........(25% tin, harmonic trebles, reconditioned) Nazard 2 2/3.......... (25% tin, reconditioned) Quarte de Nasard 2.. (40% tin, reconditioned) Tierce 1 3/5............(25% tin, reconditioned) Basson 16..............(zinc & 50% tin, reconditioned) Hautbois 8............ (extension of Basson 16) Vox Humana 8........ (reconditioned Austin Vox-in-a-Box) Tremulant SWELL TWO (Manual III) Quintaton 16.......... (zinc and 40% tin, reconditioned) Principal 8............ (zinc & 40% tin, reconditioned) Quintaton 8............ (extension of Quintaton 16) Dulciane 8........... (zinc & 40% tin, Haskell bass, reconditioned) Unda Maris 8 TC.......... (40% tin, reconditioned) Octave 4................(50% tin, reconditioned) Plein-Jeu V............(50% tin, reconditioned) Trompette 8.......... (zinc & 50% tin, harmonic, reconditioned) Clairon 4.............. (50% tin, harmonic, reconditioned) Tremulant SOLO (Manual IV) Flute en Bois 8........ (open wood, reconditioned) Violoncelle 8..........(Zinc & 60% tin, reconditioned E.M. Skinner) Violoncelle Celeste 8........ (Zinc & 50% tin, reconditioned) Flute harmonique 4....(30% tin, reconditioned) Octavin 2.............. (extension of Flute harmonique) Cor Anglais 8..........(Zinc & 50% tin, reconditioned) Tuba 8................ (Zinc & 40% tin, harmonic trebles, reconditioned) Harp TC.......... (from 4' Celesta) Celesta...(reconditioned, 58 bars) Chimes................ (reconditioned, 25 tubes) Tremulant PEDAL Resultant 32............(borrowed) Contrebasse 16........ (open wood bass, lead trebles, reconditioned) Principal 16............ (from Great) Soubasse 16.......... (stoppered wood pipes, reconditioned) Quintaton 16.......... (from SwellTwo) Principal 8............ (zinc & 50% tin, reconditioned) Basse 8................ (extension of Contrebasse) Flute couverte 8........(extension of Soubasse) Violoncelle 8........ (from Solo) Octave 4................(Zinc and 50% tin, reconditioned) Flute 4..................(extension of Soubasse) Mixture VI rks............ (40% & 50% tin, reconditioned) Contre Bombarde 32.. (Zinc & 50% tin) [1992] Bombarde 16.......... (extension of Contre Bombarde) Basson 16.............. (from Swell One) Trompette 8............ (extension of Contre Bombarde) Basson 8................ (from Swell One) Clairon 4................(extension of Contre Bombarde) Cor Anglais 4.......... (from Solo) Electric-slider chests for straight manual stops; rest all-electric. Swells One and Two are independently expressive and coupling. Compass 58/32 Stoplist courtesy of the builder: http://www.OntkoPipeOrgans.com ************************************************************ GRACE EPISCOPAL CHURCH Reuter Organ Company, Lawrence, Kansas 4 manuals, 52 stops, 68 ranks Opus 994- 1952; Console 1997; Renovated 2000; Tonal Enhancement 2002 GREAT 14 ranks 16 Violone 8 Principal 8 Bourdon 8 Harmonic Flute 8 Violone 4 Octave 4 Koppelfloete 2 2/3 Twelfth 2 Fifteenth 1 3/5 Seventeenth IV Fourniture III Scharf (Swell) 16 Double Trumpet 8 Trumpet 4 Trumpet 8 Trompette en Chamade (Antiphonal) Tremulant Great 16 Great Unison Off Great to Great 4 Great/Positiv Transfer Midi on Great SWELL 22 ranks 16 Rohrfloete 8 Principal 8 Geigen Diapason 8 Rohrfloete 8 Concert Flute (Choir) 8 Spitzfloete (Choir) 8 Viole da Gambe 8 Voix Celeste 8 Erzaehler (Choir) 8 Erzaehler Celeste (Choir) 4 Octave Geigen 4 Hohlfloete 2 2/3 Nasard 2 Super Octave 2 Nachthorn 1 3/5 Tierce IV Plein Jeu III Scharf 16 Trumpet 16 Contra Oboe 8 Trumpet 8 Trompette 8 Oboe 8 Vox Humana 4 Clarion 8 Trompette en Chamade (Antiphonal) Tremulant Swell 16 Swell Unison Off Swell 4 Midi on Swell POSITIV 8 ranks 8 Gedeckt 4 Principal 4 Spitzfloete 2 Principal 1 1/3 Larigot 1 1/7 Septieme III Cymbal 8 Trompette en Chamade (Antiphonal) Tremulant Positiv 16 Positiv Unison Off Positiv 4 Midi on Positiv/Choir PEDAL 7 ranks 32 Violone (Great) 32 Resultant 16 Principal 16 Subbass 16 Violone (Great) 16 Rohrfloete (Swell) 8 Octave (extension from 16 Principal) 8 Subbass (ext. from 16 ) 8 Violone (Great) 8 Rohrfloete (Swell) 4 Choral Bass 4 Subbass (Swell) 4 Harmonic Flute (Great) 2 Principal (extension from 4 Choral Bass) IV Mixture 32 Trombone (Great) 16 Double Trumpet (Great) 16 Trumpet (Swell) 16 Contra Oboe(Swell) 8 Trumpet (Swell) 8 Trumpet (Great) 8 Oboe(Swell) 4 Clarion (Swell) 8 Trompette en Chamade (Antiphonal) Midi on Pedal CHOIR 8 ranks 8 Concert Flute 8 Harmonic Flute (Great) 8 Spitzfloete 8 Viola 8 Viola Celeste 8 Erzaehler 8 Erzaehler Celeste 4 Harmonic Flute 8 Cromorne 8 Trompette en Chamade (Antiphonal) Tremulant Choir 16 Choir Unison Off Choir 4 SOLO 8 Harmonic Flute (Great) 8 Concert Flute (Choir) 8 Erzaehler Celeste II (Choir) 16 Double Trumpet (Great) 16 Trumpet (Swell) 8 Trumpet (Great) 8 Trompette (Swell) 8 Trumpet (Swell) 8 Oboe(Swell) 8 Vox Humana (Swell) 4 Clarion (Swell) 8 Trompette en Chamade (Antiphonal) 16 Trompette en Chamade (Antiphonal) Chimes (Antiphonal) Tremulant Solo 16 Solo Unison Off Solo 4 Antiphonal on Solo Choir on Solo Positiv to Solo 8 Swell on Solo Great on Solo ANTIPHONAL 9 ranks 8 Principal 8 Bourdon 4 Octave 2 Flachfloete IV Mixture 8 Trompette en Chamade ANTIPHONAL PEDAL 16 Bourdon 8 Bourdon Electropneumatic action Peterson MSP 1000 (99 Memory Levels); Peterson Piston Sequencer; Peterson Midi Resource System 12 General Pistons duplicated by toestuds DIVISIONAL PISTONS Great (8, divisional cancel) Swell (8, divisional cancel) Positiv (7, divisional cancel) Choir (5, divisional cancel) Solo (8, divisional cancel) Antiphonal (6, divisional cancel) Pedal (6, duplicated by toed studs, divisional cancel) COUPLERS Great/Pedal 8, 4 Swell/Pedal 8, 4 Choir/Pedal 8, 4 Positiv/Pedal 8, 4 Solo/Pedal 8 Antiphonal/Pedal 8 Swell/Great 16, 8, 4 Positiv/Great 16, 8, 4 Solo/Great 16, 8, 4 Antiphonal/Great 8, 4 Swell/Positiv 16, 8, 4 Solo/Positiv 16, 8, 4 Antiphonal/Positiv 8, 4 Solo/Swell 8 Antiphonal/Swell 8 All Swells to Swell Crescendo Pedal ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ KAHAL KADOSH BETH ELOHIM SYNAGOGUE Ontko & Young organ, 1996, Opus 24 2 manuals - 19 registers - 19 ranks Great 16 Bourdon 8 Montre 8 Flûte à pointe 8 Dulciane 4 Prestant 4 Flûte douce 2 2/3 Quinte 2 Doublette Swell 8 Diapason 8 Bourdon 8 Viole de gambe 8 Voix céleste 4 Principal 4 Flûte harmonique 2 Octavin 8 Cornopéan 8 Hautbois Tremulant Pedal 32 Resultant )on Gt-Gt 4' coupler tab) 16 Contrebasse 16 Bourdon (Great) 8 Flûte ouverte 8 Basse 4 Flûte en bois ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. JOHN’S LUTHERAN CHURCH Schantz Organ Co., 1963, rebuilt 1991 3 manuals, 43 ranks GREAT Prinzipal 8' Bordun 8' Octav 4' Super Octav 2' Mixtur IV Trompette en Chamade 8' Cymbelstern [slow and fast] SWELL [encl] Viola Celeste 8' Vla da Gamba 8' Rohrflote 8' Koppel Flote 4' Prinzipal 2' Nazat 2 2/3' Terz 1 3/5' Trompette 8’ Chalumeau 4’ Trompette en Chamade 8’ Tremolo POSITIV Nason Flote 8' Gemshorn 4' Waldflote 2' Quinte 1 1/3' Sifflote 1' Scharff III Krumm Horn 8' Trompette en Chamade 8' PEDAL Resultant 32' Prinzipal 16' Gedackt 16' Gedackt 8' Octav 8' Super Octav 4' Mixtur II Bombarde 16' Schalmey 4 Couplers 16, 8, 4 Carillon (bell tower) ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. MATTHEW'S LUTHERAN CHURCH Austin Organ Co., 1967 3 manuals, 45 stops, 58 ranks GREAT (unenclosed) 16 Gemshorn 8 Principal 8 Bourdon 8 Gemshorn (ext) 4 Octave 4 Spitzflote 2 Waldflote II Rauschquint IV Fourniture Cymbelstern Chimes Gt-Gt 16, 4 Sw-Gt 16, 8, 4 Ch-Gt 16, 8, 4 Pos-Gt 8 SWELL (enclosed) 16 Lieblich Gedackt 8 Geigen Principal 8 Hohl Flute 8 Gamba 8 Gamba Celeste 4 Principal 4 Rohrflote 2 Flautino IV Plein Jeu 16 Contra Fagotto 8 Fagotto (ext) 4 Clairon 8 Trompette en chamade Sw-Sw 16, 4 Ch-Sw 8 Ch-Pos 8 CHOIR (enclosed) 8 Nason Flute 8 Flauto Dolce 8 Flute Celeste 4 Koppelflote 2 2/3 Nasard 2 Blockflote 1 3/5 Tierce 8 Krummhorn 8 Bombarde Harp Tremulant Ch-Ch 16, 4 Sw-Ch 16, 8, 4 Gt 8; Pos 8 CHANCEL (enclosed) 8 Gedackt 8 Viole d'amour 8 Viole celeste 4 Principal 4 Chimney Flute III Mixture 8 Trompete Tremulant Chancel on Great Chancel on Choir POSITIV 8 Suavial 4 Praestant 2 Prinzipal 1 1/3 Larigot III Cymbel 4 Schalmei PEDAL 32 Resultant(ext) 16 Principal 16 Bourdon 16 Gemshorn (Gt) 16 Lieblich Gedackt (Sw) 16 Flauto Dolce (Ch ext) 8 Octave 8 Gemshorn(Gt) 8 Gedeckt(ext) 4 Choralbass III Mixture 16 Bombarde (Ch ext) 16 Fagotto(Sw) 8 Bombarde (Ch) 4 Krummhorn (Ch) 16 Gedeckt (Chancel) 8 Floete (Chancel) Chimes (Gt) Gt-Ped 8, 4; Sw-Ped 8, 4 Ch-Ped 8, 4; Pos-Ped 8 Electropneumatic action ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. MICHAEL'S EPISCOPAL CHURCH KENNETH JONES AND ASSOCIATES BRAY, IRELAND 1994 Three manuals and pedals, 40 stops, 51 ranks, 2,519 pipes, 6 couplers, tracker key action, mechanical stop-action with a parallel electric stop-action. The organ case is restored to its original 1767 style and proportions. Original case by John Snetzler. It has been in St. Michael's since 1767. GREAT ORGAN Manual II (Snetzler Case) Lieblich Bourdon 16......Copper & 50% tin / 58 pipes Open Diapason 8......75% tin front pipes, gilt, rest 50% tin / 58 pipes Stop' Diapason 8......copper & 20% tin / 58 pipes Principal 4......50% tin / 58 pipes Open Flute 4.....23% tin / 58 pipes Twelfth 2 2/3......20% tin / 58 pipes Fifteenth 2......50% tin / 58 pipes Mixture IV ranks 1 1/3......50% tin / 232 pipes Cornet V (mounted) mid C.....20% tin / 170 pipes Trumpet 8.....50% tin 62 SWELL ORGAN Manual III (under Expression) Stop'd Diapason 8....oak & 50% tin / 58 pipes Salicional 8.....copper & 50% tin / 58 pipes Voix Celeste (tenor c) 8.....50% tin / 46 pipes Principal 4.....50% tin / 58 pipes Wald Flute 4.....20% tin / 58 pipes Doublette 2.....50% tin / 58 pipes Mixture III-IV 2.....50% tin / 210 pipes Double Trumpet 16.....50% tin / 58 pipes Cornopean 8.....50% tin / 62 pipes Oboe 8.....50% tin / 58 pipes CHOIR ORGAN Manual I (Snetzler Case) Stop'd Diapason 8.....oak & 20% tin / 58 pipes Principal 4.....50% tin / 58 pipes Flute 4.....20% tin / 58 pipes Nazard 2 2/3.....20% tin / 58 pipes Fifteenth 2.....50% tin / 58 pipes Blockflute 2.....50% tin, bass no. 25 / 40 pipes Tierce 1 3/5.....20% tin / 58 pipes Cymbal II 1 1/3.....50% tin / 116 pipes Cromorne 8......50% tin / 58 pipes Grand Trumpet 8......75% tin / 62 pipes PEDAL ORGAN Open Wood 16......wood, restored, revoiced / 32 pipes Sub Bass 16......pine / 32 pipes Lieblich Bourdon* 16......mechanically derived from No. 1 Quint 10 2/3......50% tin, bass No. 32 / 20 pipes Principal 8......copper and 50% tin / 32 pipes Bass Flute* 8......50% tin, bass No. 3 / 20 pipes Twelfth 5 1/3......extension No. 34 / 12 pipes Choral Bass* 4.......50% tin, bass No. 4 / 25 pipes Mixture III 4.......50% tin / 96 pipes Trombone 16.......copper and 50% tin / 32 pipes * denotes stops located in Snetzler Case Couplers for Swell to Pedal, Great to Pedal, Choir to Pedal, Swell to Great, Swell to Choir, Choir to Great. Tremulants for Great/Choir, Swell Combination System: 8 General Thumb Pistons, 8 Thumb Pistons each for Swell, Great, Choir, Pedal, Toe Pistons duplicating General and Pedal Pistons, Reversible Thumb pistons for couplers, Reversible Toe Pistons for Great to Pedal and Swell to Great, Switch for Great and Pedal Pistons combined. Pistons adjustable by setter piston, with 16 separate sets of memories. An ITT star card facility with read-write unit at the console, storing all 16 sets of internal memory. Balanced Expression Pedal Adjustable Bench ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ SECOND PRESBYTERIAN CHURCH Moeller, 1955 and Schlueter, 1991; 3 manuals, 29 ranks Great 8 Diapason 8 Harmonic Flute 8 Gemshorn 4 Octave 2 2/3 Nasard 2 Fifteenth III Mixture Chimes Swell 8 Stopped Diapason 8 Viole da Gambe 8 Viole Celeste 4 Geigen Principal 4 Koppel Flute III Plein Jeu 8 Trumpet 4 Oboe Zimbelstern Choir 8 Concert Flute 8 Dulciana 8 Unda Maris 4 Flute 2 2/3 Nazard 2 Blockflute 8 Clarinet Pedal 32 Resultant 16 Subbass 16 Lieblich Ged. 8 Principal 8 Subbass 8 Flute 4 Octave 4 Flute 16 Trompette 8 Trompette ************************************************************ |
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