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Charleston, SC Chapter |
| Last updated: May 17, 2013 |
Message from the Dean |
| Greetings,
I hope this writing finds each of you well and recovered from Easter. Our final meeting of the year will be Sunday, May 5, beginning at 5:30 pm. The meeting will be a Cinco De Mayo party at my house (see directions on page three). Ed LeRoy will send out a formal notification with details and an RSVP request shortly. I look forward to welcoming you to my home for food, drink, and a chance to visit with you in a social setting. It has been a pleasure to serve as your Dean for the 2012-2013 season and I look forward to serving again for the 2013-2014 season. I hope that you have found the programs this year to be informative. Todd Monsell, our Sub-Dean and program chair has worked tirelessly to put together both programs and facilitators. I would like to commend him for an excellent job. Ed LeRoy has served as our Secretary-Treasurer and has done a stellar job of keeping minutes of board meetings, staying on top of chapter records and making sure we are solvent. Thank you Ed! George Hubbard has provided us with informative newsletters and maintenance of our web site. Well done George. You are appreciated. Mark Bebensee, Suzanne Jeter, Nancy Lefter and Jason Pedeaux have lent wonderful support to the board and have my sincere gratitude. If you have specific needs that have not been adequately addressed this season, please let any of the above mentioned board members know. We are now planning next season’s programs and our goal is to provide you with the information and repertoire you need to make your jobs easier. Tom Bailey, Dean IMPORTANT INFORMATION FROM THE AGO NATIONAL HEADQUARTERS: In an effort to increase the value of the benefits package for AGO voting members, access to the Positions Available listings on the AGO National Web site has been limited exclusively to AGO voting members as of Monday, December 15. It is appropriate that these listings should be made available only to voting members, since members' dues pay for the operation of the Guild's Web site and maintenance of its job postings board. In addition, this new limitation will ensure that only those organists who have agreed to abide by the AGO's Code of Ethics and Code of Professional Standards will have access to the jobs advertised on the AGO's Web site. IMPORTANT MEMBER LOGIN INFORMATION When you go to view the details of a Position Available online, you will be asked to fill in a User Name and Password. Your User Name and Password will be your unique AGO identification number. This number is located above your name on the address label that appears on your copy of TAO each month. When prompted to fill in the User Name and Password fields, please enter your ID number in both fields to gain access to the details of all job openings. This login procedure may be further refined and enhanced in the weeks ahead. We look forward to providing this valuable benefit exclusively to AGO voting members. The Guild is widely recognized by religious institutions as the world's largest and most prestigious association for professional organists, and this new policy will help us to preserve and protect our well-deserved reputation for excellence. If you have any questions about this change, please feel free to contact AGO Headquarters during business hours at 212-870-2310 or e-mail us at members@agohq.org. Shopping for American Guild of Organists gifts is easy. All merchandise can be ordered online at www.agohq.org/store or by phoning AGO store manager Harold Calhoun, 212-870-2311 (ext. 4318) or 800-AGO-5115. Additionally, orders can be placed via postal mail using the order form found on page 9 of each issue of The American Organist Magazine. All orders totaling $30 or more will qualify for a free gift: a CD recording of 2006 NYACOP winner Scott Montgomery. |
Local Events |
| UPCOMING CONCERTS/EVENTS: (Please contact the webmaster at hubbard.george@comcast.net with information about events).
___________________ PICCOLO SPOLETO L'ORGANO CONCERT SERIES -- REVISED SCHEDULE! L’ORGANO 2013 BONUS CONCERTS AT 7:30 p.m.: Philip Brisson: Sunday, May 26, at First (Scots) Presbyterian, 53 Meeting St. Dr. Brisson is Director of Music, Cathedral of the Assumption, Louisville, KY. Music by Bach, Franck, and Liszt. Ken Cowan and violinist Lisa Shihoten: Tuesday, May 28, Grace Church Episcopal, 98 Wentworth St. Mr. Cowan is an internationally-recognized concert organist. Music by Wagner, Vitali, Korngold, Rachel Laurin, Naji Hakim, Widor, and Barber. DAY-TIME CONCERTS AT 10:00 a.m. The day-time concerts last approximately 45 minutes. They are free to the public, although voluntary donations are accepted. Jay Yau: Monday, May 27, at St. Matthew’s Lutheran Church, 405 King St. Mr. Yau is assistant music director and organist for Holy Spirit Catholic Church on John’s Island. In the fall he continue his studies on a full-tuition scholarship at the Oberlin Conservatory. Andrew Risinger, organ; Joel Treybig, trumpet; Carolyn Treybig, flute: Tuesday, May 28, at Bethel United Methodist Churc, 57 Pitt St. Mr. Risinger is Associate Director of Music at West End United Methodist Church, Nashville, TN. The Treybigs are faculty members at Belmont University. Music by William Corbett, John Weaver, Bach, Eric Schmidt, and Anthony Plog. Paul Webber: Wednesday, May 29, at the Cathedral of St. John the Baptist, 120 Broad St. Dr. Webber is Associate Professor of Music at the Franciscan University of Steubenville, PA. Music by Couperin, Bach, and Duruflé. Julie Evans: Thursday, May 30, at St. Matthew's Church, 405 King St. Ms. Evans is Director of Music at Chevy Chase Presbyterian Church, Washington, DC. Music by Mendelssohn, Bach, Persichetti, Raymond Haan, and Dupré. Murray Somerville: Friday, May 31, at the Cathedral Church of St. Luke and St. Paul, 126 Coming St. Dr. Somerville is recently retired as Director of Music at St. George's Episcopal Church, Nashville, TN. Music by Buxtehude, Walond, Rheinberger, Tournemire, Callahan, and Sam Batt Owens. Anthony Rispo: Monday, June 3, at Grace Church, 98 Wentworth St. Mr. Rispo is Assistant Organist at St. James' Church, Madison Avenue, New York, NY. Music by Jongen, Schumann, Bach, Widor, and Sowerby. Andrew Scanlon: Tuesday, June 4, at St. Michael's Church. Mr. Scanlon is a member of the keyboard faculty at East Carolina University and is Organist/Choirmaster at St. Paul's Episcopal Church, Greenville, NC. Music by Mendelssohn, Barber, Herbert Howells, Bach, George Shearing, and Anthony Wills. Jung-A Lee: Wednesday, June 5, at First (Scots) Presbyterian Church, 53 Meeting St. Dr. Lee is Adjunct Professor of Music, Vanguard University, Costa Mesa, CA. Music by Mark Thallander, Bach, Ad Wammes, Corneliu Mootz, and Reubke. Andrew Mills: Thursday, June 6, at the Cathedral Church of St. Luke and St. Paul. Mr. Mills is Organist/Choirmaster at Old St. Patrick's Church, New Orleans, LA. Music by Handel, Buxtehude, and Bach. Michael Lodico, organ and Rebecca Smith, harp: Friday, June 7, at Grace Church. Mr. Lodico is Associate Organist/Choir Director at St. John's Church, Lafayette Square, Washington, DC. Ms. Smith is the former principal harpist with the Kennedy Center Opera House Orchestra. Music by Vivaldi, Mozart, Grandjany, Dewey Owens, Daniel Burton, Dale Wood, and Gershwin. ________________________________________________ A.S.A.P The After School Arts Program is a non-profit outreach organization at Johns Island Presbyterian Church designed to make quality arts instruction available to children from low-income families. The program allows students to receive music lessons from a faculty of qualified volunteers at a nominal fee. Volunteers are needed to bring healthy snacks on Thursday afternoons and/or to man the registration desk. If you are interested in volunteering on a weekly, monthly, or one-time basis, contact Sarah Smith (559-9380, ssmith@jipc.org). Qualified teachers are needed to serve our students so we can continue to grow. Music is a life-long gift and we believe that every child should have the opportunity to develop that gift. If you or someone you know is a music teacher who would like to give a little extra to help change someone�s life, contact Sarah Smith (559-9380, ssmith@jipc.org). |
Newsletter |
| UPCOMING MEETINGS:
More information about meetings on our new Facebook page: http://www.facebook.com/event.php?eid=127195707326952&index=1#!/group.php?gid=148813678477615 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Charleston AGO Library: The Charleston Chapter AGO Library is up and running! An outgrowth of our frequent 'white elephant' music exchanges, the collection now has a permanent home at Second Presbyterian Church downtown. In addition to solo organ works are collections, church piano works, several anthems and some books of general music nature, such as theory, ear training and history. Thanks to Jessica Minahan for filing and organization. Please contact Julia Harlow at juliah.6@juno.com or 843-870-1048 to make an appointment to see the collection. Take what you wish, leave music you no longer want. There is a piano there so you can try it out as well. You can also bring unwanted music to chapter meetings to leave with Julia or Jessica for addition to the collection. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ The chapter newsletter is The Voluntary Trumpet. The deadline is the 20th of the month preceding date of issue; i.e. September 20th for the October issue. Please send information about coming events, employment opportunities and other items of interest to the Editor: hubbard.george@comcast.net, or by surface mail to George Hubbard, 808 Sloop St., Charleston, SC 29412. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ADVERTISING in the chapter newsletter, The Voluntary Trumpet, is available at the rates below. Material is to be submitted via email, camera ready, to the newsletter editor by the 20th of the month. Rates are as follows: 1/8 page (the size of a business card): $20 1/4 page: $40 1/2 page: $80 AGO members receive a 25% discount on the above amounts. |
Membership |
| For membership forms or information, contact secretary/treasurer Edmund LeRoy - eleroy44@yahoo.com Forms can be emailed as a PDF or in MSWord
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Placement |
| POSITIONS AVAILABLE
AND SUBSTITUTE ORGANISTS (SCROLL DOWN) Position posting date in parentheses. If you hear of other positions available, please contact the webmaster. Summerton, Saint Matthias Episcopal Church. (Revised 02/28, address change) Organist position available immediately. Responsibilities include one weekly Sunday morning service at 10:30 am for this 65-family church, as well as one service each on Christmas Eve and Easter morning. Looking for someone with solid organ skills (classical and some Maranatha ‘Praise’ music) and dedication to music ministry. Availability for funerals, weddings, or special services not required, but welcomed. Small choir joins congregation singing unison hymns, primarily from The Hymnal 1940. No formal choir rehearsals are regularly required; however, there will be occasional pre- or post-service rehearsals for special holiday music or music featuring flute, violin, or vocal soloist(s). 2 manual 14 rank pipe organ, c. 1890, A.B. Felgemaker Co. Salary commensurate with experience. To arrange an interview/audition, please send résumé and references to Saint Matthias Episcopal Church, PO Box 336, Summerton SC 29148, attn: Pamela Gardiner (preferred method) or email the parish office at churchoffice@ftc-i.net. Please respond even if you’re only interested in playing occasionally, as we’re currently without anyone. St. George, SC, St. George United Methodist Church. It is reported, but not confirmed, that this position has been filled. Charleston, Holy Spirit Evangelical Lutheran Church, 3075 Bees Ferry Road (Posted 02/01) We need an organist and choir director to lead a traditional Sunday worship service at 11:00 am. The choir of about ten voices practices on Wednesday nights at 7:00 pm, and briefly before the service on Sunday morning. Currently, we have an extensive music library, a Clavinova, and an Allen digital organ; we are hoping to move to a pipe organ in the future. If you are interested in this ministry, please contact Rev’d Elizabeth Platts, pastor, at elizabethplatts@gmail.com. Charleston, Unitarian Universalist Church of Charleston, 4 Archdale Street (posted 02/28) Music Director Direct music program for a 300-member congregation, conduct a 15-20 member adult choir and a children’s choir, supervise the church organist/pianist, communicate with minister and staff, and promote a variety of rich musical experiences. Part-time position: September through June, 20 hours a week. Position starts September 2013. Salary range: $19,500 to $22,500 Organist/Pianist Provide weekly piano/organ music for church services, accompany adult choir for Wednesday evening and Sunday morning rehearsals. Part-time position: September through June, 10 hours a week. Position starts September 2013. Salary range: $6,000 to $8,000 We will consider hiring one person to fill both positions. Church website address: www.charlestonuu.org Contact: Hannah Piazza, Office Administrator office@charlestonuu.org 4 Archdale Street, Charleston, SC 29401 Job Application Deadline: April 5, 2013 full job descriptions are available at www.charlestonuu.org SINGERS: Some voice majors at the College of Charleston are looking for employment in area church choirs. For more information, please contact C of C voice faculty Deanna McBroom mcbroomd@cofc.edu or Robert Taylor taylorr@cofc.edu PIANISTS: Student pianists, both undergraduate piano majors and graduate level in the Artists Certificate Program at the College of Charleston, are available to substitute or accompany in services. Contact Julia Harlow at harlowj@cofc.edu for more information. SUBSTITUTE ORGANISTS: Please note: The persons listed below are members of the Charleston Chapter of the AGO, but their listing on this website does not constitute an endorsement by the Chapter. It is strongly recommended that individuals/churches hiring substitutes verify for themselves that the substitute is capable of performing the duties required. Areas of proficiency: O= organist; P= pianist; C= adult choir director; Y= youth choir director; CC= childrens choir director; H= handbell director; S= singer; A= accompanist To be added, removed, or amend your listing, please contact the webmaster, George Hubbard at hubbard.george@comcast.net Burbage, Roy: H:556-0606; Cell:276-9746; O,P,C,A Email: royburbage@aol.com Byrd, Andrew: (high school student)H: 881-7816; Cell: 743-5191; O,P Email: andrewdbyrd@gmail.com Jeter, Susanne: H-766-8193; Cell: 607-9449; O, P, CC, H Email: Jeterhob@aol.com Lippy, Charles H. Home: 843-766-5954; O Cell: 423-227-9129 Johnson, Frances D. Home: 843-482-0776 Email: fjhj1993@homesc.com Kohlenberg, Lee: H - 852-5247; O, P, C, A Email: leekohlenberg@bellsouth.net Lancaster, James L. Home Phone: 793-3178 Cell Phone: 530-1213 Miller, James M. (Jimmy): Cell: 843-532-9485; Work: 843-554-9880 ext 8135; O, C (from console) Email: millerjimmy2@yahoo.com (note new address) Pedeaux, Jason (not Sundays): Cell: 469-644-3415; O, P, A Employers and job seekers are invited to post and search listings of available positions on the Guild's National Website. |
Certification |
Contact Us |
| The Executive Committee, as of July 1, 2012:
Dean - Thomas W. Bailey - twbjr60@aol.com Subdean - Todd Monsell - toddmonsell@gmail.com Secretary/Treasurer - Edmund LeRoy - eleroy44@yahoo.com Members-at-Large: Nancy Lefter - nclefter@bellsouth.net Mark Bebensee - mark.bebensee@citadel.edu Susanne Jeter - jeterhob@aol.com Jason Pedeaux - jpedeaux@mppc.net Immediate Past Dean: Loretta Haskell - lorettahaskell@moremusicplease.com Website & Newsletter (The Voluntary Trumpet) Editor: George Hubbard - hubbard.george@comcast.net Deadline for the Voluntary Trumpet is the 20th of the month. |
Links |
| UPCOMING AGO NATIONAL CONVENTIONS:
2014 - June 24-27; Boston, MA 2016 - July 4-7; Houston, TX 2018 - Kansas City, MO Region IV - 2013 Greater Columbia Chapter, Columbia, S.C. July 3-6, 2013 www.regional2013.org ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ CHARLESTON, SC ORGAN STOPLISTS All churches downtown unless otherwise indicated, in alphabetical order BETHEL UNITED METHODIST CHURCH Schlueter and Sons, (Lithonia, GA), 2004 3 manuals, 44 stops, 51 ranks GREAT 16 Double Open Diapason..........12 pipes 8 Open Diapason..........61 pipes 8 Principal..........61 pipes 8 Violone..........49 pipes 8 Bourdon..........61 pipes 8 Harmonic Flute..........44 pipes 4 Octave..........61 pipes 4 Spire Flute..........61 pipes 2 2/3 Twelfth (prepared) 2 Fifteenth..........61 pipes V Cornet (prepared) IV-V Mixture 1 1/3 ..........281 pipes 8 Clarinet..........Ch/Solo 16 Trombone..........Ch/So-NC 8 Tromba Heroique..........Ch/So-NC 4 Tromba..........Ch/So-NC 8 English Tuba ..........Ch/So-NC Chimes..........Ch/So-(on tablet rail) Great to Great 4 Tremolo SWELL 16 Lieblich Flute..........12 pipes 8 Chimney Flute..........61 pipes 8 Geigen Principal..........61 pipes 8 Viole de Gamba..........61 pipes 8 Viole Celeste TC..........49 pipes 8 Flauto Dolce..........61 pipes 8 Flauto Dolce Celeste TC..........49 pipes 4 Geigen Octave..........12 pipes 4 Koppel Flute..........61 pipes 2 2/3 Nazard..........61 pipes 2 Flageolet..........61 pipes 1 3/5 Tierce..........61 pipes IV-VI Mixture 2 ..........300 pipes 16 Contra Oboe..........12 pipes 8 Trumpet..........61 pipes 8 Oboe..........61 pipes 8 Vox Humana..........61 pipes 4 Clarion..........12 pipes Swell to Swell 16 , 4 Swell Unison Off Tremolo CHOIR/SOLO 16 Gemshorn, ..........61 pipes 8 English Diapason..........61 pipes 8 Hohl Flute..........61 pipes 8 Gamba..........61 pipes 8 Gamba Celeste TC..........49 pipes 8 Gemshorn..........61 pipes 8 Gemshorn Celeste TC..........49 pipes 4 Principal..........61 pipes 4 Traverse Flute..........61 pipes 2 Piccolo..........61 pipes 1 1/3 Quint..........61 pipes III Choral Mixture 2 ..........183 pipes 8 Clarinet..........61 pipes 8 French Horn..........61 pipes 8 Tromba Heroique..........61 pipes 16 English Tuba..........49 pipes Notes NC 8 English Tuba NC..........61 pipes 4 English Tuba..........49 Notes NC Choir/Solo to Choir/Solo 16 Choir/Solo Unison Off Choir/Solo to Choir/Solo 4 Harp..........61 Notes (digital) (tablet rail) Zimbelstern..........9 Bells (on tablet rail) Tremolo PEDAL 32 Untersatz..........32 Notes 16 Principal.......... 12 pipes 16 Double Open Diapason..........Gt 16 Gemshorn..........Choir/Solo 16 Bourdon..........12 pipes 16 Lieblich Flute..........Swell 8 Octave.......... 32 pipes 8 Open Diapason-..........Great 8 Gemshorn..........Choir/Solo 8 Bourdon.......... 32 pipes 8 Chimney Flute..........Swell 4 Choral Bass..........32 Notes 4 Cantus Flute..........Great III Mixture 2 2/3 ..........96 Notes 32 Contra Trombone..........32 Notes (digital) 32 Harmonics..........32 Notes 16 Trombone..........12 pipes (ch/solo) 16 Contra Oboe..........Swell 8 English Tuba..........Choir/Solo 8 Tromba..........Choir/Solo 8 Oboe..........Swell 4 Clairon..........Choir/Solo Chimes..........32 Notes (digital) (on tablet rail) INTER-MANUAL COUPLERS Great to Pedal 8 /4 Swell to Pedal 8 /4 Choir/Solo to Pedal 8 /4 Swell to Great 16 /8 /4 Choir/Solo to Great 16 /8 /4 Great to Choir/Solo 8 Swell to Choir/Solo 16 /8 /4 MIDI on Choir/Solo MIDI on Great/Swell/Pedal COMBINATION PISTONS 128 Level Memory (minimum) for the entire combination system 5 Thumb Pistons per division 10 General Pistons affecting entire organ 6-10 General Pistons duplicated by toe studs ACCESSORIES Balanced Swell Expression Pedal Balanced Choir/Solo Expression Pedal Crescendo Pedal Gt/Ped Reversible - Thumb and Toe Sw/Ped Reversible - Thumb and Toe Ch/S to Pedal Reversible - Thumb and Toe 32 Untersatz Rev. - Thumb or Toe 32 Contra Trombone Rev. - Thumb or Toe Reeds Off Mixtures Off Great/Choir Transfer Sfz Reversible - Thumb and Toe File Data Sequencer NC = non-coupling ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ CATHEDRAL CHURCH OF ST. LUKE AND S. PAUL (EPISCOPAL) Gabriel Kney & Co., London, Ontario, Canada, 1976 2 manuals, 27 stops, 36 ranks GREAT Principal 8' Rohrfloete 8' Octave 4' Spitzfloete 4' Nasat 2 2/3' Blockfloete 2' Terz 1 3/5' Mixture V (2') Trumpet 16' Trumpet 8' Swell to Great Tremulant SWELL (ENCLOSED) Gedeckt 8' Gamba 8' Celeste (tenor C) 8' Principal 4' Flute 4' Octave 2' Quinte 1 1/3' Scharff III (1') Dulcian 16' Schalmei 8' Tremulant PEDAL Subbass 16' Principal 8' Gedeckt 8' Choralbass 4' Mixture IV (2 2/3') Posaune 16' Trumpet 8' Great to Pedal Swell to Pedal mechanical key action; electric stop action manual compass: 56 keys; pedal compass: 32 keys Toe studs: Great to Pedal reversible; adjustable tutti piston; 8 general pistons (8 levels of memory, solid state). Thumb pistons: setter, general cancel. Balanced swell pedal. Zimbelstern (5 bells). AGO-style pedalboard. Casework by Theodore Charles Bates, Ludgate Hill, London, England, circa 1853 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ CATHEDRAL OF ST. JOHN THE BAPTIST (CATHOLIC) Bedient organ, Opus 22 2 manuals, 26 stops, 31 ranks Christ Church Cathedral, Louisville, KY 1986 Moved to Charleston, SC 1994 GRAND ORGUE Bourdon 16' Montre 8' Flute Harmonique 8' Bourdon 8' Salicional 8' Prestant 4' Octave* 4' Doublette* 2' Plein Jeu* III - VI Basson* 16' Trompette* 8' Clairon* 4' RECIT Flute Harmonique 8' Viole de Gambe 8' Voix celeste 8' Octaviante 4' Octavin* 2' Cornet II* Trumpette* 8' Hautbois 8' Voix Humaine* 8' PEDALE Contrebasse+ 32' Contrebass 16' Soubasse 16' Basse Flute 8' Bombarde* 16' Trompette* 8' Console Control Pedals (Left to Right) Orage G-O./Ped Recit/Ped G-O Octaves Graves Anches Ped Anches G.-O. Anches Recit Recit/G.-O. Tremblant Recit Expressif Mechanical key and stop action (Gt & Coupler on Barker machine) *ventil control + added 1994 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ FIRST (SCOTS) PRESBYTERIAN CHURCH ONTKO AND YOUNG, 1992 4 manuals, 47 registers, 71 ranks GREAT (Manual I) Principal 16........(zinc & 50% tin, Haskell bass, reconditioned) Montre 8.......... (zinc & 50% tin, façade) [1992] Principal 8........ (extension of Principal 16) Flute a Pointe 8....(25% tin) [1992] Prestant 4..........(50% tin, façade) [1992] Flageolet 2........ (50% tin) [1992] Fourniture IV-V rks...... (50% tin) [1992] Cymbale III rks........(50% tin) [1992] Dessus de Cornet V rks Mid C .... (25% tin, mounted) [1992] Trompette 8...... (zinc & 50% tin, harmonic) [1992] Clairon II 4...... (50% tin, harmonic, double flue trebles 4’+2’) [1992] Tremulant POSITIF (Manual II) Gemshorn 8...... (zinc & 50% tin, reconditioned) Bourdon 8........ (zinc & 25% tin, reconditioned) Prestant 4........ (50% tin, façade) [1992] Flute a Fuseau 4.. (25% tin, tapered canisters, reconditioned) Doublette 2........(50% tin) [1992] Tierce-Sept II rks TC......(25% tin) [1992] Fourniture IV rks......(50% tin) [1992] Cromorne 8........(50% tin) [1992] Tremulant Zimblestern........(7 bells) SWELL ONE (Manual III) Flute a cheminee 8....(zinc & 25% tin, chimneys, reconditioned) Viole de Gambe 8.... (zinc & 65% tin, reconditioned) Voix Celeste 8........ (zinc & 65% tin, reconditioned) Flute conique 4........(25% tin, harmonic trebles, reconditioned) Nazard 2 2/3.......... (25% tin, reconditioned) Quarte de Nasard 2.. (40% tin, reconditioned) Tierce 1 3/5............(25% tin, reconditioned) Basson 16..............(zinc & 50% tin, reconditioned) Hautbois 8............ (extension of Basson 16) Vox Humana 8........ (reconditioned Austin Vox-in-a-Box) Tremulant SWELL TWO (Manual III) Quintaton 16.......... (zinc and 40% tin, reconditioned) Principal 8............ (zinc & 40% tin, reconditioned) Quintaton 8............ (extension of Quintaton 16) Dulciane 8........... (zinc & 40% tin, Haskell bass, reconditioned) Unda Maris 8 TC.......... (40% tin, reconditioned) Octave 4................(50% tin, reconditioned) Plein-Jeu V............(50% tin, reconditioned) Trompette 8.......... (zinc & 50% tin, harmonic, reconditioned) Clairon 4.............. (50% tin, harmonic, reconditioned) Tremulant SOLO (Manual IV) Flute en Bois 8........ (open wood, reconditioned) Violoncelle 8..........(Zinc & 60% tin, reconditioned E.M. Skinner) Violoncelle Celeste 8........ (Zinc & 50% tin, reconditioned) Flute harmonique 4....(30% tin, reconditioned) Octavin 2.............. (extension of Flute harmonique) Cor Anglais 8..........(Zinc & 50% tin, reconditioned) Tuba 8................ (Zinc & 40% tin, harmonic trebles, reconditioned) Harp TC.......... (from 4' Celesta) Celesta...(reconditioned, 58 bars) Chimes................ (reconditioned, 25 tubes) Tremulant PEDAL Resultant 32............(borrowed) Contrebasse 16........ (open wood bass, lead trebles, reconditioned) Principal 16............ (from Great) Soubasse 16.......... (stoppered wood pipes, reconditioned) Quintaton 16.......... (from SwellTwo) Principal 8............ (zinc & 50% tin, reconditioned) Basse 8................ (extension of Contrebasse) Flute couverte 8........(extension of Soubasse) Violoncelle 8........ (from Solo) Octave 4................(Zinc and 50% tin, reconditioned) Flute 4..................(extension of Soubasse) Mixture VI rks............ (40% & 50% tin, reconditioned) Contre Bombarde 32.. (Zinc & 50% tin) [1992] Bombarde 16.......... (extension of Contre Bombarde) Basson 16.............. (from Swell One) Trompette 8............ (extension of Contre Bombarde) Basson 8................ (from Swell One) Clairon 4................(extension of Contre Bombarde) Cor Anglais 4.......... (from Solo) Electric-slider chests for straight manual stops; rest all-electric. Swells One and Two are independently expressive and coupling. Compass 58/32 Stoplist courtesy of the builder: http://www.OntkoPipeOrgans.com ************************************************************ GRACE EPISCOPAL CHURCH Reuter Organ Company, Lawrence, Kansas 4 manuals, 79 ranks Opus 994 1952 New Console 1997 Renovation 2000 Tonal enhancement 2002 Solo-Antiphonal 2009 The organ at Grace Episcopal Church was originally a three-manual instrument with 26 ranks of pipes. The design of this organ has been carefully revised and enhanced over the years. The current project was conceived in conjunction with major building renovations. It includes relocating the Positiv division with additions, the creation of a new Solo division and other tonal changes (changes/additions are noted with ++.) Great 16' Violone 16' Quintaton (Positiv)++ 8' Principal 8' Bourdon 8' Harmonic Flute 8' Violone (Ext.) 4' Octave 4' Koppelfl�te 2 2/3' Twelfth 2' Fifteenth III Cornet (TC)++ IV Fourniture III Scharf (Swell) 16' Double Trumpet 8' Trumpet 8' Tuba (Solo)++ 8' English Horn (Solo)++ 8' French Horn (Solo)++ 4' Clarion 8' Trompette en Chamade (Ant.) Tremulant Chimes on Great Great/Positiv Transfer MIDI Swell 16' Rohrfl�te 8' Principal 8' Geigen Diapason 8' Rohrfl�te (Ext.) 8' Concert Flute (Choir) 8' Flute de Teite (Choir) 8' Viola da Gamba 8' Voix C�leste 8' Erz�hler (Choir) 8' Erz�hler Celeste (Choir) 4' Octave Geigen 4' Hohlfl�te 2 2/3' Nazard 2' Super Octave 2' Nachthorn 1 3/5' Tierce IV Plein Jeu III Scharf 16' Trumpet 16' Contra Oboe 8' Trumpet 8' Trompette 8' Tuba (Solo)++ 8' Oboe 8' Vox Humana 4' Clarion Tremulant All Swells to Swell MIDI Choir 8' Concert Flute 8' Harmonic Flute (Great) 8' Flute de Teite 8' Viola 8' Viola Celeste 8' Erz�hler 8' Erz�hler Celeste 4' Harmonic Flute 8' Cromorne 8' French Horn (Solo)++ Tremulant MIDI Solo 16' Dulciana++ 8' Major Flute++ 8' Harmonic Flute (Great) 8' Concert Flute (Choir) 8' Viole d�Orchestre++ 8' Celeste (CC)++ 8' Dulciana (Ext)++ 8' Unda Maris (GG)++ 8' Erz�hler Celeste II (Choir) 8' Quintaton (Positiv)++ III Cornet (Great) 16' Tuba (TC)++ 16' Double Trumpet (Great) 16' Trumpet (Swell) 8' Tuba++ 8' French Horn++ 8' English Horn++ 8' Trumpet (Great) 8' Trompette (Swell) 8' Trumpet (Swell) 8' Oboe (Swell) 8' Vox Humana (Swell) 4' Clarion (Swell) 16' Trompette en Chamade (Ant.) 8' Trompette en Chamade (Ant.) Tremulant MIDI Positiv 16' Quintaton++ 8' Gedeckt 4' Principal 4' Quintaton (Ext.)++ 2 2/3' Twelfth++ 2� Principal 1 3/5' Seventeenth++ 1 1/3' Larigot 1 1/7' Septieme III Cymbal 16' Tuba (Solo)++ 8' Tuba (Solo)++ 8' Trompette en Chamade (Ant.) 8' English Horn (Solo)++ Tremulant Positiv/Solo Nave Shades Off Pedal 32' Violone 32' Resultant 16' Principal 16' Subbass 16' Violone (Great) 16' Dulciana (Solo) 16' Rohrfl�te (Swell) 8' Octave (Ext.) 8' Subbass (Ext.) 8' Violone (Great) 8' Rohrfl�te (Swell) 4' Choral Bass 4' Subbass (Ext.) 4' Harmonic Flute (Great) IV Mixture 32' Trombone 16' Double Trumpet (Great) 16' Trumpet (Swell) 16' Contra Oboe (Swell) 8' Trumpet (Great) 8' Trumpet (Swell) 8' Oboe (Swell) 4' Clarion (Swell) 8' Trompette en Chamade (Ant.) 8' Tuba (Solo) MIDI Antiphonal 8' Principal++ 8' Bourdon++ 8' Dulciana++ 4' Octave++ 4' Flachflöte++ 2' Flachflöte (Ext.)++ Antiphonal Pedal 16' Bourdon (Ext.)++ 8' Bourdon++ Crescendo Pedal ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ KAHAL KADOSH BETH ELOHIM SYNAGOGUE Ontko & Young organ, 1996, Opus 24 2 manuals - 19 registers - 19 ranks Great 16 Bourdon 8 Montre 8 Fl�te � pointe 8 Dulciane 4 Prestant 4 Fl�te douce 2 2/3 Quinte 2 Doublette Swell 8 Diapason 8 Bourdon 8 Viole de gambe 8 Voix c�leste 4 Principal 4 Fl�te harmonique 2 Octavin 8 Cornop�an 8 Hautbois Tremulant Pedal 32 Resultant (on Gt/Ped 4' coupler tab) 16 Contrebasse 16 Bourdon (Great) 8 Fl�te ouverte 8 Basse 4 Fl�te en bois ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ MOUNT PLEASANT PRESBYTERIAN CHURCH Roosevelt 1886, rebuilt by Andover, 1982 2 manuals, 14 ranks Tracker action Great: 8' Chimney Flute 8' Open Diapason 4' Octave 2/III Mixture Swell: 8' Trumpet 8' Stopped Diapason 4' Flute D'Amour 2' Principal II' Sesquialtera Pedal: 16' Bourdon Couplers: Swell to Pedal Great to Pedal Swell to Great Great Octaves Swell Tremulant ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. ANDREW'S ANGLICAN CHURCH, Mt. Pleasant Schantz 1971 Great: 8' Principal 8' Bourdun 8' Viola da Gamba 4' Octave 2' Wald Fl�te III Mixture Chimes Swell: 8' Gedackt 8' Gemshorn 8' Gemshorn Celeste 4' Koppel Fl�te 2' Principal 1 1/3' Quinte 8' Trompette 4' Schalmei Tremulant Pedal: 16' Violone 16' Gedackt 8' Principal 8' Gedackt 4' Octave 16' Contre Trompette 4' Schalmei Couplers 8' Great to Pedal (toe reversible) 4' Great to Pedal 8' Swell to Pedal 4' Swell to Pedal 16' Swell to Swell 4' Swell to Swell 4' Great to Great 16' Swell to Great 8' Swell to Great 4' Swell to Great Swell Unison Off Great Unison Off 6 General pistons 1-6 (thumb and toe) 3 Divisionals Great, Swell (thumb), Pedal (toe) Full Organ Crescendo Pedal General Cancel +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. JOHN'S LUTHERAN CHURCH Schantz Organ Co., 1963, rebuilt 1991 3 manuals, 43 ranks GREAT Prinzipal 8' Bordun 8' Octav 4' Super Octav 2' Mixtur IV Trompette en Chamade 8' Cymbelstern [slow and fast] SWELL [encl] Viola Celeste 8' Vla da Gamba 8' Rohrflote 8' Koppel Flote 4' Prinzipal 2' Nazat 2 2/3' Terz 1 3/5' Trompette 8' Chalumeau 4' Trompette en Chamade 8' Tremolo POSITIV Nason Flote 8' Gemshorn 4' Waldflote 2' Quinte 1 1/3' Sifflote 1' Scharff III Krumm Horn 8' Trompette en Chamade 8' PEDAL Resultant 32' Prinzipal 16' Gedackt 16' Gedackt 8' Octav 8' Super Octav 4' Mixtur II Bombarde 16' Schalmey 4 Couplers 16, 8, 4 Carillon (bell tower) ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. LUKE AND ST. PAUL - see CATHEDRAL CHURCH OF ST. LUKE AND ST. PAUL ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. MATTHEW'S LUTHERAN CHURCH Austin Organ Co., 1967 3 manuals, 48 stops, 61 ranks (a/o 5/11/11) GREAT (unenclosed) 16 Gemshorn 8 Principal 8 Bourdon 8 Gemshorn (ext) 4 Octave 4 Spitzflote 2 Waldflote II Rauschquint IV Fourniture 8 Trompette en chamade (Ch) Cymbelstern Chimes Gt-Gt 16, 4 Sw-Gt 16, 8, 4 Ch-Gt 16, 8, 4 Pos-Gt 8 SWELL (enclosed) 16 Lieblich Gedackt 8 Geigen Principal 8 Hohl Flute 8 Gamba 8 Gamba Celeste 4 Principal 4 Rohrflote 2 Flautino IV Plein Jeu 16 Contra Fagotto 8 Fagotto (ext) 4 Clairon 8 Trumpet 8 Trompette en chamade (Ch) Sw-Sw 16, 4 Ch-Sw 8 Ch-Pos 8 CHOIR (enclosed) 8 Nason Flute 8 Flauto Dolce 8 Flute Celeste 4 Koppelflote 2 2/3 Nasard 2 Blockflote 1 3/5 Tierce 8 Krummhorn 8 Bombarde 8 Trompette en chamade Tremulant Ch-Ch 16, 4 Sw-Ch 16, 8, 4 Gt 8; Pos 8 CHANCEL (enclosed) 8 Gedackt 8 Viole d'amour 8 Viole celeste 4 Principal 4 Chimney Flute III Mixture 8 Trompete Tremulant Chancel on Great Chancel on Choir POSITIV 8 Suavial 4 Praestant 2 Prinzipal 1 1/3 Larigot III Cymbel 4 Schalmei PEDAL 32 Resultant(ext) 32 Lieblich Gedackt (digital) 32 Contra Bombarde (digital) 16 Principal 16 Bourdon 16 Gemshorn (Gt) 16 Lieblich Gedackt (Sw) 16 Flauto Dolce (Ch ext) 8 Octave 8 Gemshorn(Gt) 8 Gedeckt(ext) 4 Choralbass III Mixture 16 Bombarde (Ch ext) 16 Fagotto(Sw) 8 Bombarde (Ch) 8 Trompette en chamade (Ch) 4 Krummhorn (Ch) 16 Gedeckt (Chancel) 8 Floete (Chancel) Chimes (Gt) Gt-Ped 8, 4 Sw-Ped 8, 4 Ch-Ped 8, 4 Pos-Ped 8 Electropneumatic action ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ST. MICHAEL'S EPISCOPAL CHURCH KENNETH JONES AND ASSOCIATES BRAY, IRELAND 1994 Three manuals and pedals, 40 stops, 51 ranks, 2,519 pipes, 6 couplers, tracker key action, mechanical stop-action with a parallel electric stop-action. The organ case is restored to its original 1767 style and proportions. Original case by John Snetzler. It has been in St. Michael's since 1767. GREAT ORGAN Manual II (Snetzler Case) Lieblich Bourdon 16......Copper & 50% tin / 58 pipes Open Diapason 8......75% tin front pipes, gilt, rest 50% tin / 58 pipes Stop' Diapason 8......copper & 20% tin / 58 pipes Principal 4......50% tin / 58 pipes Open Flute 4.....23% tin / 58 pipes Twelfth 2 2/3......20% tin / 58 pipes Fifteenth 2......50% tin / 58 pipes Mixture IV ranks 1 1/3......50% tin / 232 pipes Cornet V (mounted) mid C.....20% tin / 170 pipes Trumpet 8.....50% tin 62 SWELL ORGAN Manual III (under Expression) Stop'd Diapason 8....oak & 50% tin / 58 pipes Salicional 8.....copper & 50% tin / 58 pipes Voix Celeste (tenor c) 8.....50% tin / 46 pipes Principal 4.....50% tin / 58 pipes Wald Flute 4.....20% tin / 58 pipes Doublette 2.....50% tin / 58 pipes Mixture III-IV 2.....50% tin / 210 pipes Double Trumpet 16.....50% tin / 58 pipes Cornopean 8.....50% tin / 62 pipes Oboe 8.....50% tin / 58 pipes CHOIR ORGAN Manual I (Snetzler Case) Stop'd Diapason 8.....oak & 20% tin / 58 pipes Principal 4.....50% tin / 58 pipes Flute 4.....20% tin / 58 pipes Nazard 2 2/3.....20% tin / 58 pipes Fifteenth 2.....50% tin / 58 pipes Blockflute 2.....50% tin, bass no. 25 / 40 pipes Tierce 1 3/5.....20% tin / 58 pipes Cymbal II 1 1/3.....50% tin / 116 pipes Cromorne 8......50% tin / 58 pipes Grand Trumpet 8......75% tin / 62 pipes PEDAL ORGAN Open Wood 16......wood, restored, revoiced / 32 pipes Sub Bass 16......pine / 32 pipes Lieblich Bourdon* 16......mechanically derived from No. 1 Quint 10 2/3......50% tin, bass No. 32 / 20 pipes Principal 8......copper and 50% tin / 32 pipes Bass Flute* 8......50% tin, bass No. 3 / 20 pipes Twelfth 5 1/3......extension No. 34 / 12 pipes Choral Bass* 4.......50% tin, bass No. 4 / 25 pipes Mixture III 4.......50% tin / 96 pipes Trombone 16.......copper and 50% tin / 32 pipes * denotes stops located in Snetzler Case Couplers for Swell to Pedal, Great to Pedal, Choir to Pedal, Swell to Great, Swell to Choir, Choir to Great. Tremulants for Great/Choir, Swell Combination System: 8 General Thumb Pistons, 8 Thumb Pistons each for Swell, Great, Choir, Pedal, Toe Pistons duplicating General and Pedal Pistons, Reversible Thumb pistons for couplers, Reversible Toe Pistons for Great to Pedal and Swell to Great, Switch for Great and Pedal Pistons combined. Pistons adjustable by setter piston, with 16 separate sets of memories. An ITT star card facility with read-write unit at the console, storing all 16 sets of internal memory. Balanced Expression Pedal Adjustable Bench ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ SECOND PRESBYTERIAN CHURCH Moeller, 1955 and Pipe Organ Sales and Service, 1991; 3 manuals, 29 ranks *-changes June, 2011, AE Schlueter and Sons, Lithonia, GA Great 16 Rohr Bourdon(Sw)* 8 Diapason 8 Harmonic Flute 8 Gemshorn 4 Octave 2 2/3 Nasard 2 Fifteenth III Mixture 8 Trumpet(Sw)* Chimes Swell 8 Rohr Flute 8 Viole da Gambe 8 Viole Celeste 4 Spitz Principal 4 Nason Gedeckt III Plein Jeu 8 Trumpet 8 Oboe* Zimbelstern Choir 8 Concert Flute 8 Dulciana 8 Unda Maris 4 Koppel Flute 2 2/3 Nazard 2 Blockflute 8 Clarinet Chimes Pedal 32 Resultant 16 Subbass 16 Rohr Bourdon 8 Principal 8 Subbass 8 Rohr Flute 4 Octave 4 Rohr Flute 16 Trompette 8 Trompette 4 Clairon ************************************************************ STELLA MARIS CATHOLIC CHURCH Sullivans Island, SC AE Schleuter Co., 2000 GREAT (unenclosed) 8' Diapason 8' Harmonic Flute 4' Octave 4' Open Flute 2 2/3' Nazard 2' Super Octave 1 3/5' Tierce IV Mixture 1 1/3' 16' Bassoon (SW) 8' Trombe Maestro Tremolo SWELL (expressive) 16' Lieblich Gedeckt 8' Stopped Diapason 8' Gemshorn 8' Gemshorn Celeste 4' Principal 4' Chimney Flute 2' Flageolet III Mixture 1' 16' Bassoon 8' Trombe Maestro 8' Trumpet 8' Oboe 4' Clarion Tremolo PEDAL 32' Sanftbass (prepared for) 16' Principal 16' Subbass 16' Lieblich Gedeckt (SW) 8' Octave Bass 8' Flute 8' Gedeckt (SW) 4' Choral Bass 4' Cantus Flute (gt) 16' Trombone 16' Bassoon (SW) 8' Trombe Maestro (GT) 8' Trumpet (SW) 8' Oboe (SW) 4' Oboe (SW) COUPLERS Great to Pedal 8', 4' Great to Great 16' Great Unison Off Great to Great 4' Swell to Pedal 8', 4' Swell to Swell 16', 4' Swell Unison Off Swell to Great 16', 8', 4' COMBINATION SYSTEM 8 Levels of Memory 1-10 General Pistons - Thumb 6-10 General Pistons - Toe 1-5 Great Division Pistons - Thumb 1-5 Swell Division Pistons - Thumb 1-4 Pedal Division Pistons - Toe Set Piston, Cancel Piston - Thumb Crescendo Pedal REVERSIBLES Great to Pedal - Thumb and Toe Swell to Pedal - Thumb and Toe Sforzando - Thumb and Toe |
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